With the fifth and final cycle of “Thinking Like a Mountain”, the GAMeC Museum in Bergamo brings its ambitious long-term project to a close. The Orobie Biennale weaves together art, ecology and community to form a multifaceted reflection on a contemporary art scene that flourishes beyond institutional boundaries and engages with local communities.
With “Shifts”, Iris Touliatou transforms the Kunstverein München into a space for institutional self-reflection. Her exhibition explores the infrastructures and interdependencies that enable and condition cultural production. With precision and subtlety, Touliatou demonstrates how art becomes a means of reflecting on work, the public sphere and one’s own entanglements. This solo exhibition is the artist’s most comprehensive to date in Germany.
Under the title “The Strange Life of Things”, the Pinault Collection is presenting Tatiana Trouvé’s largest solo exhibition to date at the Palazzo Grassi in Venice. The Franco-Italian artist presents a complex interweaving of objects, installations and drawings across three floors. The exhibition is a multi-layered system of subjective memories and projections that raises questions about space, time and the materiality of things.
Art between freedom, exhaustion and participation. Once again this year, the Sammlung Moderne Kunst at Herrenchiemsee Palace is presenting works by international artists in a summer exhibition. The exhibition “Könnt ihr noch?” explores fundamental democratic values such as freedom, equality and human dignity, and their relationship to art.
How do images construct and project power? The exhibition “Bild und Macht” at the Zeppelin Museum in Friedrichshafen shows how airship photography oscillates between enthusiasm for technology, propaganda and fiction. Through three contemporary perspectives, the exhibition draws a direct link to our present day, in the age of AI and fake news.
At a time of multiple global crises, when the question “How do we want to live?” has long since become a matter of survival, the 16th Kleinplastik Triennial in Fellbach ventures a sculptural exploration of the concept of “habitat”. Over 60 international artists are transforming the Alte Kelter into a space that can be experienced through the senses, telling the story of the fragile balance between humanity, nature and technology
Appropriation, assimilation and gentrification. In her current exhibition “Fully Automated Orientalism” at the Interimsquartier of the Villa Stuck, Anna Ehrenstein combines sculptural interventions, visual works and video installations to question the construction of cultural identity and dominant cultural narratives.
The group exhibition “Still Processing” at the Nxt Museum in Amsterdam explores the dynamic relationships between art and technology and examines how meaning is derived from data.
For the Hungarian Pavilion at the 60th Venice Biennale, Márton Nemes has created a transmedia project that explores the genre of painting. In doing so, he combines light, colour and sound to create an immersive environment. The exhibition at the Ludwig Múzeum showcases the Venice project, supplemented by a selection of works the artist has created over the past decade.
